The Carlos Reid Gallery
Juliet Vles
Gascogne, France
Juliet Vles
About Juliet Vles
Born in 1950 in Rotterdam NL. Of french-swiss nationality. Lives and works in the South of France. Essentially an abstract painter and sculptor, whose work is mainly to be found in arte povera and minimal art collections, the artists second area of interest is satirical drawing and collage in a realistic or surrealistic style. Actually, Vles is working on the KRYPTA series, relief or assemblage work, half-painting half-sculpture - geometrical constructions overlaid with painting, drawing and written panels incrusted, intarsia-like, into the supporting frame. The word «Krypta» (from Greek «hidden», «secret») stands for an artistic expression that depicts neither the reality nor the abstraction of our conscious perception of being, but the imago of an unconscious area of the mind not immediately accessible to analytical intelligence. Simultaneously, the artist works on the « transCerebral » series, a pictorial voyage around the human brain and its ambigeous role in human society, a cycle including paintings, collages and computer drawings. For the brainscapes series please go to http://vlesworks.monsite-orange.fr
Exhibitions:
Personal exhibitions (selection) :
--------------------------------------
2014-15 KRYPTA
Château de Mons, Caussens (F)
21 septembre 2014 - 31 décembre 2015
TRANSCEREBRAL
Musée d’Histoire Naturelle / La Semaine du Cerveau, ISCT Université Paul Sabatier, Toulouse / Forum des Sciences Cognitives / Université René Descartes, Cognivence, Paris
2013 TAALTRALIES
Arcades, Bordeaux (F)
2011 POESIE PEINTE
Edition Parole, Zürich (CH)
2007 LÂMINA
Château Prieural de Monsempron-Libos (F)
Les Tanneries, Nérac (F)
2004 WITWATER
Château d’Aubiac (F)
2002 NUMA ou la Géométrie de la Paix
Château d’Aubiac
2001 NON DECET
Les Tanneries, Nérac
Chantal Dazin, Agen (F)
1999 UN VERS DE DREYT NIEN
Kulturzentrum Crédit Suisse, Zürich (CH)
1998 SUR UN MUR BLANC
Maison de Gascogne, Auch (dans le cadre du festival « Eclats de Voix »
ABSTRACTIONS
Centre Culturel de Bardos (avec Serge Fudji)
1997 LIGHTYEARS
Bucher & Scholl, Lengnau (CH)
Chantal Dazin, Agen (F)
1996 KATHAROI
Château de Lavardens (F), avec la participation d’Amnesty International
1995 RARE EARTH
Espace Croix Baragnon, Toulouse (F)
Galerie Allemann, Zürich (CH)
REMARKS ON THE UNICORN
Galerie Redeving, Bergerac
1994 THE GERS PAINTINGS
Abbaye de Flaran, Gers (F)
Galerie Allemann, Zürich (CH)
Group shows (selection):
-----------------------------
2014 SINGULARITES
Hôtel Rochegude, Albi, Association « Guetteurs », commissaire Pierre Rousseau
2007 ŒUVRES ORPHELINES
L’Inventaire, Montauban
2005 CORRIDADA ou l’Esthétique des Vautours, Rougerouge, Auch
2002 TRAVERSALES 02
La Ville de Nérac en collaboration avec arcos
2001 TRAVERSALES
La Ville de Lectoure en collaboration avec arcos
2000 BAT’IMAGE
Le Bâtiment, St.Paul de Baïse
l’ELOQUENCE DES LOQUES
Musée Ingres, Montauban
1998 FESTIVAL DE LA SCULPTURE
La Ville d’Abzac
l’OUSTEAOU DOU SALEYS
Centre Culturel, Saliès de Béarn
FIN DE SIECLE
Ambassade de Suisse, Paris
1997 Collection de PLIEUX
Château de Plieux / Abbaye de Flaran, Gers
Centre Ecureuil, Toulouse
NON PASSARAN
Centre Cuzin, Auch
GRAINS DE SABLE
Parc de la Mounède, Toulouse
1996 DETOURS
Agora, Billère
Centre Cuzin, Auch
JUXTAPOSITIONS
Château de Larrazet, Beaumont
Centre Culturel, Verdun
1995 LE PROCHE ET LE LOINTAIN
Musée Ingres, Montauban
Musée des Beaux-Arts, Pau
Centre Cuzin, Auch
Sculpture
The KRYPTA series:
Relief and assemblage work, half-painting half-sculpture - geometrical constructions overlaid with painting, drawing and written panels incrusted, intarsia-like, into the supporting frame. The word
«Krypta» (from Greek «hidden», «secret») stands for an artistic expression that depicts neither the reality nor the abstraction of our conscious perception of being, but the imago of an unconscious
area of the mind not immediately accessible to analytical intelligence.
SOLD
L97 (Sanctuary) mixed media/collage on paper on wood 86x98x11cm | 2014 | THE CARLOS REID GALLERY ONLINE
L 89 (Carillon) | acrylic, pencil and glue on Paper and Wood | 51.2 H x 91.7 W x 4.3 in. | 2016 | THE CARLOS REID GALLERY ONLINE
from the artist's collection : NUMA or the Geometry of Peace | acrylic, pencil and glue on Paper and Wood | 87.8 H x 150.4 W x 2.4 in. | 2002 | THE CARLOS REID GALLERY ONLINE
« Numa ou la Géométrie de la Paix »
Le cycle « Numa ou la Géométrie de la Paix » est dédié à l’empereur romain Numa Pompelius, personnage légendaire de la mythologie antique. Soucieux d’assurer une paix durable à ses sujets belliqueux
et superstitieux, le souverain se servit d’une géométrie sacrale, soi-disant d’inspiration olympique, pour interpréter « la volonté des Dieux » en fonction de sa propre vision pacifiste. Sur le plan
scientifique, sa doctrine fut plus que douteuse - mais, politiquement parlant, elle prouva un instrument efficace pour maintenir la pax romana pendant les quarante ans de son règne. Dans un esprit
comparable, l’artiste adapte la géométrie à ses besoins artistiques pour « manipuler » le spectateur et le confronter à une vision d’harmonie loin de sa réalité quotidienne, mais pas inaccessible
pour autant.
Technical information:
Because of its dimensions, this triptyc has to be shipped in two crates.
L 104 (ways of perception) | acrylic, pencil and glue on Paper and Wood | 35.4 H x 37.8 W x 2.4 in. | 2016 | THE CARLOS REID GALLERY ONLINE
L 106 (don't pray for Paris) | acrylic, pencil and glue on Paper and Wood | 63 H x 43.3 W x 6.3 in., | 2016 | THE CARLOS REID GALLERY ONLINE
DON'T PRAY FOR PARIS
This artwork is dedicated to Giordano Bruno and all those who fight authoritarian religions
The KRYPTA series:
Relief and assemblage work, half-painting half-sculpture - geometrical constructions overlaid with painting, drawing and written panels incrusted, intarsia-like, into the supporting frame. The word
«Krypta» (from Greek «hidden», «secret») stands for an artistic expression that depicts neither the reality nor the abstraction of our conscious perception of being, but the imago of an unconscious
area of the mind not immediately accessible to analytical intelligence.
"L 45 (study for The Koda)" 2012 mixed media, acrylic, pencil, collage on paper glued on plywood 118x114x17cm / 47x45,6x7inch , THE CARLOS REID GALLERY
"L 46 (roots) 2012 mixed media, acrylic, pencil, collage on paper glued on plywood 100x100x12cm / 40x40x4,8 inch, THE CARLOS REID GALLERY
L7, 2007 mixed media / collage / writing on paper glued on plywood 200x100x5cm / 80x40x2 inch, THE CARLOS REID GALLERY
SOLD
L 87 (Spell Tower) , 2014 mixed media / collage / writing on paper glued on plywood 240x358x17cm / 96x143x7 inch, THE CARLOS REID GALLERY
Technical information: Because of its imporrtant size, this artwork has to be shipped in several pieces. The buyer must be willing to reassemble the work by his own means. Of course the artist will furnish detailed instructions.
from the lâmina series L 23 (Time and the Hour), 2015, Sculpture: Acrylic, Pencil and Glue on Paper and Wood, 122 H x 53.1 W x 10.2 in, THE CARLOS REID GALLERY
from the KRYPTA series:
Relief and assemblage work, half-painting half-sculpture - geometrical constructions overlaid with painting, drawing and written panels incrusted, intarsia-like, into the supporting frame. The word «Krypta» (from Greek «hidden», «secret») stands for an artistic expression that depicts neither the reality nor the abstraction of our conscious perception of being, but the imago of an unconscious area of the mind not immediately accessible to analytical intelligence.
L 95 (Mitram) , 2015, mixed media / collage / writing on paper glued on plywood 200x60x10cm / 80x24x4 inch, THE CARLOS REID GALLERY
L 93 (Lukannon) , 2015, L 93 (Lukannon), THE CARLOS REID GALLERY
L 92 (Avinroe), 2015, mixed media / collage / writing on paper glued on plywood 200x93x10cm / 80x37,3x4 inch, THE CARLOS REID GALLERY
L 86 (Sentinel) , 2014, mixed media / collage / writing on paper glued on plywood 200x60x20cm / 80x24x8 inch, THE CARLOS REID GALLERY
L 84 (Sentinel) ,2014, mixed media / collage / writing on paper glued on plywood 200x60x25cm / 80x24x10 inch, THE CARLOS REID GALLERY
from the brainscapes series: Cerveaulant | Acrylic, pencil and glue on paper and wood | 86.6 H x 78.7 W x 12.2 in |THE CARLOS REID GALLERY
Price 15,000 USD
From the brainscapes series:
The titel "Cerveaulant" is a hybrid from the french "cerveau" (brain) and "cerf-volant" (kite)
cloué
au poteau de l'histoire écrite
en mon nom
suis je
maître ou esclave du
destin?
suis je aigle impérial ou
cerveaulant
au cordon ombilical de
l'évolution?
(from the koda)
Carlos Reid, M.B.A., M.S. & M.O.T.
Chief Curator
THE CARLOS REID GALLERY
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The Carlos Reid Gallery mission is to provide the highest quality art by the most talented new, emerging, and established artists- worldwide. To engage a wide array of audiences, against the backdrop of an online-based platform that elevates artists and their work.
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L 88 (central panel), 2014 on Exhibit at 2016 CONSULART exhibition in the MAMA (Musée d'art et d'artisanat) in Marseille, France
L 88 (central panel), 2014 mixed media / collage / writing on paper glued on plywood 178x178x17cm / 72x72x7 inch, THE CARLOS REID GALLERY
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The African Diva Project
Gelede Cherrelle-African Diva, Oil and cold wax on canvas and paper,30" x 30" + FRAME, 2012, THE CARLOS REID GALLERY ONLINE
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