Freddy Fabris THE CARLOS REID GALLERY ONLINE Contemporary | Modern | International | Art | Online
Freddy Fabris THE CARLOS REID GALLERY ONLINEContemporary | Modern | International | Art | Online

The Carlos Reid Gallery

Jessica Rimondi

Berlin, Germany

Jessica Rimondi

Jessica Rimondi’s Paintings Evoke the Passage of Time

by James Scarboroug

Jessica Rimondi knows the ravages of time. How flesh will sag and then decompose; how unlived-in-interiors fade, get musty, and, then crumble. She shows this in portraits that melt before our eyes. The flesh is waxy if not blistered. It bleeds down the surface. It’s like being inside a coffin and watching time-lapse photographs show just how organic we really are. She shows this in her unpeopled interiors where rooms otherwise perfectly articulated slough into what can be called domestic entropy.

It’s not in the least morbid because the processes she describes are natural, are obvious. Time passes and so do we. It’s a state makes that us human and kudos to the artist for reminding us of our mortality in such a poignant way.

But it’s the way she frames these portraits and empty rooms that makes them, ironically, come alive. When she paints a figure, only a portion of the face decomposes. The rest is either unfinished – outlined in pencil – or done.

Rimondi takes the process of making a work of art – the sketch, the fleshing out – and turns it into a metaphor for our existence. It’s said that, on the cellular level, we begin to die the moment we are born. Same here. States of generation and degeneration exist side by side. We witness the birth of a work of art; we see its realization at the same moment we acknowledge our temporal existence.

Ars longa, vita brevis: nowhere is that more apparent than in the artist’s interiors. The rooms appear long-abandoned. But through the windows (and one open door), we catch a glimpse of an eidetic, Edenic landscape. These landscapes stand in stark contrast to the desuetude of the rooms through whose windows we look. It’s not that nature is immortal and perfect, it’s that our snapshot memories of it are. The most startling thing about these views-from-a-window is the way they make us think of – indeed, cherish – such isolated and perfect moments, even as we continue along our mortal path.

Jesssica Rimondi's website
lightness of memories 1,(2 little panels), 18 x 24 cm
lightness of memories 1, Jessica Rimondi
590.00 USD
( Sales tax and shipping costs not included )

(2 little panels), 18 x 24 cm

or
lightness of memories 2,(2 little panels), 18 x 24 cm
lightness of memories 2, Jessica Rimondi
590.00 USD
( Sales tax and shipping costs not included )

(2 little panels), 18 x 24 cm

or
je, moi (first sketch) 21 x 21 cm, acril on printed paper, 2013
je, moi (first sketch), Jessica Rimondi
578.00 USD
( Sales tax and shipping costs not included )

21 x 21 cm,
Acril on printed paper,
2013

or
Errando in Fieri, 125 x 95 cm, mixed media on wood, 2013
Errando in Fieri, Jessica Rimondi
2,760.00 USD
( Sales tax and shipping costs not included )

125 x 95 cm,
mixed media on wood,
2013

or
Erro Ergo Sum, 130 x 90 cm, mixed media on wood, 2012
Erro Ergo Sum, Jessica Rimondi
3,100.00 USD
( Sales tax and shipping costs not included )

Mixed media on wood,
130 x 90 cm,
2012

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AKILI RICHARDS and D.L. WARFIELD ARE THIS WEEK'S FEATURED LIVE ART AUCTION ARTISTS

July 5, 2016 - July 14, 2016

Akili Richards

Atlanta, Georgia, United States

Akili Richards |“Fucking Crawl Baby” | Original Print on Canvas (1of 1) | 75x50in

June 30, 2016 - July 9, 2016

D.L. Warfield

Atlanta, Georgia, United States

"What keeps me going back to DL Warfield is not just his obvious creative excellence, but also the passion he puts behind any project. He’s relentless; he really cares about your product. He will always be a part of my team."
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D.L. Warfield | WHAT MORE CAN I SAY .v1 | Oil, enamel and mixed medium on board covered in resin | 4' x 8'
D.L. Warfield | Michael Americana | Oil, enamel and mixed medium on board covered in resin | 36" x 36"' | 2016
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Krassimir Kolev

Bulgaria

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Paris, France

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Denis Rodier

Paris, France

Denis Rodier is a member of la Fondation Taylor, France .

Drouot Cotation 2002, France.

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London, United Kingdom

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New York, New York, United States

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Click here to view The African Diva Project Video Interview Tucker Contemporary Art artist, Margaret Rose Vendryes, is interviewed by Essence magazine Senior Editor Patrik Henry Bass about her iconic painting series, The African Diva Project.

Vance Houston

Reno, NV, United States

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Hayward, California, United States

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