New Zealand
Born in Russia - emigrated to NYC, USA in 1990 & exhibited there before moving to Australia in 2000. Lived/worked in Australia for 8 years. Since 2009 I have called New Zealand home. I love the feelings of awkwardness that my paintings project through a mixture of both naive brush work, stylization and awkward situations. I've been recognized for my singular works combining text and figuration, and merging disparate elements of Russian iconography, re-inscribing strange and often obscured meanings into normative narrative structures reminiscent of comic strips and advertising. Emerging from behind the iron curtain, my paintings and works on paper, capture the underlying forces that dominate and determine the conditions of the human psyche. In my latest works, I continue to expand upon strategies of collage, drawing, and painting that conjure earlier established themes and imagery mined from a myriad of sources including, movies, cult icons, literature, television and my personal history. This broad range of historical references not only foreground my own interest in appropriating past visual and literary styles, but also invokes the schizophrenic and pathological impulses at work in the Russian imagination. As the use of color has played an increasingly central role in my more recent works, so has the formal concern for surface, space, and technique, resulting in densely populated and fragmentary images that further articulate my refusal to offer a conventional narrative logic. Often at once perversely funny and poetically contemplative, I think my power lies in an ability to occupy multiple positions at once, and ultimately to implicate text and image in a slippery production of meaning. I have gained some acclaim in Australia whilst participating in several solo and group exhibitions there, namely the Archibald Prize at the Art Gallery of New South Wales, the Blake Prize for Religious Art, the Jacaranda Acquisitive Drawing Award, the Mosman Prize and the Walker & Hall Art Award in New Zealand. Most recently, my work was selected for the 2014 New Zealand Painting & Printmaking Award exhibition.
SELECTED SOLO EXHIBITIONS
2016 Grass Grows On My Tongue, New Plymouth, NZ
2015 Remembering The Future, Wellington NZ
2015 Town & Country, Queenstown, NZ
2014 Birdbrain, New Plymouth, NZ
2014 Other Moods That Make My Day, Hamilton, NZ
2014 Ars Longa Vita Brevis, Queenstown, NZ
2013 Awkward Spaces, Auckland NZ
2013 Far From Home, Queenstown, NZ
2012 I Remember, TOI Gallery, Auckland, NZ
2011 Welcome to My World, Queenstown, NZ
2011 More Stories, TOI Gallery, Auckland, NZ
2009 Ilya Volykhine, Higgins Harte Gallery, USA
2007 It’s A Helluva Town, GroundFloorGallery, AUS
2006 Blue & Other Colours, GroundFloorGallery, Sydney, AUS
2005 Stories, GroundFloor Gallery, Sydney, AUS
2004 Back in the USSR, GroundFloorGallery, AUS
2003 Domestic, GroundFloorGallery, AUS
2002 People Places, GroundFloorGallery, AUS
2001 Warm & Fuzzy, 1 + 2 Artist Studios, AUS
2001 Bondi WADi, Bondi, AUS
2000 Lahaina Arts Society, USA
1999 Maui Arts & Cultural Center, USA
1997 NY Arts Society, New York, USA
SELECTED GROUP EXHIBITIONS
2015 Figurative Form Exhibition, Auckland, NZ
2014 Walker & Hall Art Award, Finalist, Auckland, NZ
2014 NZ Painting & Printmaking Award Exhibition, NZ
2014 Summer, WOW Museum, Nelson, NZ
2013 200x200x200, Kina Gallery, New Plymouth, NZ
2013 NZ Art Show, Wellington, NZ
2013 Fragment, Reflections Gallery, Nelson, NZ
2012 NZ Art Show, Wellington, NZ
2012 Members Show , WCAG, Auckland NZ
2012 Art Map, WCAG, Auckland NZ
2011 All Black, WCAG, Auckland, NZ
2010 Art & Text, WCAG, Auckland, NZ
2009 Walker & Hall Art Award, Finalist, Auckland, NZ
2008 Lahaina Arts Society Show, Hawaii, USA
2007 Jacaranda Acquisitive Drawing Award, AUS
2006 Art Sydney, Royal Exhibition Building, AUS
2006 Art Melbourne, Carlton Gardens, AUS
2006 Jacaranda Acquisitive Drawing Award, AUS
2006 Mosman Art Prize - Finalist, AUS
2005 Art Sydney, Royal Exhibition Building, AUS
2005 Art Melbourne, Carlton Gardens, AUS
2005 Teasers, GroundFloor Gallery, AUS
2004 53rd Blake Prize for Religious Art, AUS
2004 Art Melbourne, Carlton Gardens, AUS
2003 Archibald Prize - Finalist, AGNSW, AUS
2003 Art Melbourne, Carlton Gardens, AUS
2003 Art Sydney, Royal Exhibition Building, AUS
2002 Sexdecim, GroundFloor Gallery, AUS
2002 Hill on Hargrave, Sydney, AUS
Price: $11,000 USD
Carlos Reid, M.B.A., M.S. & M.O.T.
Chief Curator
THE CARLOS REID GALLERY
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Los Angeles, California
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FEATURED ARTISTS
Blaricum, Amsterdam, Netherlands
About Barbara Houwers
Barbara Houwers is a Dutch artist, specialising in painting. She lives and works in Blaricum (Amsterdam region). Her successful series inspired by themes around the human being have led to many exhibitions and commissions from companies, government and institutions. Barbara’s works can be found both in private and corporate collections and public buildings. Barbara Houwers was mainly known for her paintings of human figures, mostly painted in subdued earth tones. However, in 2013 she switched to more abstract pieces of art in geometrical patterns and sometimes also bright colours. This seems to be a great style break, however, as with many artists, also for Houwers a logical further development of her basic forms. Herewith the artist is not afraid of new techniques and materials. So she designed portable objects with the 3-D printing technique and she made the switch to more three-dimensional work. Houwers’s technique evolved from a traditional painting technique with the human figure as a theme to a more experimental treatment of her materials. The brush was partly replaced by the palette knife and besides paint, also other materials such as sand and resin were introduced. This experimental treatment of the material came back with the series of works Houwers made at the start of the millennium where the aspect of space predominated. In 2007 the geometric form appeared with the series “little suitcases”. The human shape was more reduced to a contour line. Houwers made the switch to the theme of repetition in 2013. By the repetition of shapes a feel of rest is created. The beauty of this type of art is formed by the techniques used by Houwers. The paint is applied in many layers by the palette knife. In this way an art is created that refers to itself and less to the tangible world. The love for the material has become the subject of her art, still the humaneness remains secured in her works by filling in the geometrical forms with a natural brush technique whereby the brush strokes still strongly remind of the human figure. This creates an abstract formal art of painting that directly appeals to and reflects the human emotion, a daring combination only tried by a few artists. Barbara Houwers does not only have the guts to convey the contrast between the rational geometric and the emotional, but above all she has got the talent to do so. By: Art Historian Diana Kostman 2015
Atlanta, Georgia, United States
About SPOON
After working in the Architecture and Urban Planning Profession for nearly a decade in Seattle, studying Urban Design in Paris, and managing projects all over the world, SPOON developed a strong
appreciation for graphic communication and elegant design. Combined with a long-standing passion for history and culture, it was a natural progression for her to begin developing unique pieces of
artwork in a new style, based on a simultaneously simple and complex intent:
“WHAT IS THE MINIMAL AMOUNT OF INFORMATION THE BRAIN NEEDS TO PERCEIVE A SUBJECT?”
This analysis, of only the essential elements, draws upon the ideas of minimalism that SPOON has studied and lived. In her work, she is constantly evaluating the resolution and complexity that a subject warrants and redacts it to its finest point. Then, with an almost mathematical precision, she applies the initial principals that she set when creating this style of painting – limited point sizes, restricted to a grid, historic and cultural influences. This blend of contemporary and historical, art and science, is what makes her artwork so adaptable and her client base so diverse.
As a LEED Green Accredited Design Professional, SPOON is always conscious of the materials and methods she uses in creating her artwork. From sourcing local small businesses to using non-toxic and environmentally safe mediums, SPOON makes sure that she is using the best materials on the market while maintaining a sense of responsibility.
Moving throughout a room changes the way SPOON’s paintings are experienced. Depending on the nuances of your angle, distance and aperture, her artwork will constantly be changing in clarity, giving it a uniquely dynamic character that is always best experienced in person.
Sofia, Bulgaria
Paris, France
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THE CARLOS REID GALLERY
Contemporary | Modern | International | Art | Online