Santa Fe, NM, United States
FE has been involved with art since 1960. That year he decided to become an artist. Nothing has dissuaded him since then. From that beginning, Frank's been been drawn to seeing what he can do with non-objective picturemaking. Part of his journey is to be seen here. Imagination has much to do with it, also a love of contrast, and efficient, ingenious, & sometimes intese working process. Inspired and engaging, this sort of process is sought after, no matter where it might be seen
New York University - 1960 - Scholarship Painting class with Robert Kaupelis, New York University-University of Michigan, B.S. in Design, 1966-University of New Mexico, M.A. in Painting,1971. Study with Earl Jacobs, Jr, Alvin Loving, and John Kacere at the University of New Mexico
Solo Exhibitions
2015 Masterworks of New Mexico, Hispanic Arts Gallery, Albuquerque, NM
2013 Solo Exhibition, Kristin Johnson Fine Art, Santa Fe
2012 Hills Gallery Remix, Santa Fe
2012 Studio Exhibition, Vienna, Austria, (May)
2010 BMM Associates, Graz, Austria
2008 ‘‘Selective Retrospective’, New Concept Gallery, Santa Fe,
Frank Ettenberg-Stacy Brown Exhibition,
Farrell-Fischoff Gallery, Santa Fe, NM
2005 Miro Galerie, Prague, Czech Republic
Golf & Therme hotel Stegersbach, Bad Stegersbach, Austria
2003 Galerie 4484, Kronstorf, OÖ, Austria, Europe
2002 Eldridge/McCarthy Gallery, Santa Fe, NM, USA
2001 Galerie Pohlhammer, Steyr, Österreich
1998 Fuller Lodge Art Center, Los Alamos
1994 Galerie Rondula, Wien
Amos Joseph Fine Art, Santa Fe
1992 Galerie am Roßmarkt, Wolfsberg, Austria 1989 Conlon-Moreno Gallery, Santa Fe
1985 Wright Gallery, Dallas, Tx
1984 Wright Gallery, Dallas, Tx
1974 Hill’s Gallery, Santa Fe
1972 Roswell Museum, Roswell, NM
1971 Thesis Exhibition, UNM Fine Arts Museum ( Fred
Hammersley, Thesis advisor at UNM art department )
Awards
1998 Straumur Art Commune, Hafnarfjördur, Iceland
Best in Show Award, Contemporary ‘98, Fuller Lodge, Los Alamos, NM Esther & Adolph Gottlieb Foundation - Emergency Grant
Artist-in Residence, Tamarind Inst Litho Fellowship, Albuquerque, NM
1978 “Southwest ‘85,” Museum of Fine Arts, Santa Fe, Merit Award
for Painting, Purchase Award for Monotype
1971 Paired Paintings Project, funded by NM Arts Division &
NEA, Armory for the Arts, Santa Fe
1961 Detroit Institute of Art, 65th Michigan Artists’ Annual, Purchase Award for
Painting
Public and Private Collections
Detroit Institute of Art, Detroit, Michigan
Roswell Museum, Roswell, NM
Harwood Foundation Museum, Taos, NM
Capitol Art Foundation, State Capitol, Santa Fe, NM, USA
Museum of Albuquerque
Albuquerque Sunport Collection
Anderson Museum of Contemporary Art, Roswell, NM
Roswell Museum and Art Ctr, Roswell, NM
Museum of Fine Arts, Santa Fe
Minnesota Museum of Art, St. Paul, Minn.
Barbara Erdman Trust, Santa Fe, NM
Bank Austria, Vienna
Valley National Bank, Scottsdale, Arizona
Citicorp, Chicago, Illinois
Exxon World Headquarters, Houston, Tx.
Kaiser-Permanente Insurance, Denver
US West, Denver, Colorado
Hyatt Hotels, Washington, DC; Evanston, Ill.
Desert Inn, Las Vegas, Nevada
Fay Abrams, Albuquerque, NM
Susan Streeper, El Prado, NM
Franz Ringel, Vienna, Austria
Dr Wolfgang & Nora Petritsch, Vienna and Geneva
Catherine Morrison, Charles Tandy, Lancaster, Pa LTV Center, Dallas, Texas
Frito-Lay Corporation, Dallas Texas
Stenitzer Gmbh, Stainach, Austria
Hofnaborg Collection, Hofnarfjördur, Iceland
Cornerstone Research, Menlo Park, Ca
Harold & Ruth Carter, Albuquerque, NM
Allan & Arlene Miller, South Pasadena, Ca
Paul Bardacke, Attorney Albuquerque, NM
Rep. Shannon Robinson, Albuquerque, NM
Vernon Nikkel, Clovis, NM
Sepp Gindl, Steiermärkische Sparkasse,, Irdning,Austria
Jill Z. Cooper, Santa Fe, NM
Reese and Ann Fullerton, Santa Fe, NM
Santa Fe Community College, Santa Fe, NM
College of Santa Fe, Santa Fe, NM
Bonnie Ruyle, Santa Fe, NM
Michael H. Dang, MD, Honolulu, HI
Raymond Itagaki, MD, Honolulu, Hi
Andrew Kluger Associates, San Rafael, Ca
Dr Franz Stenitzer, Wolfsberg, Austria
Wolfgang Swoboda, MD, Salzburg, Austria
Katholnigg & Klein, Salzburg, Austria
Dr Hanna Moldan, Salzburg, Austria
Edith Harber, NYC,NY
Howard & Joan Weinstein, Atlanta, Ga
Ann / Ira Dermansky, Englewood, NJ
Bob Willis / Susan Murashima, Santa Fe, NM
Paul Hummel, Santa Fe, NM
Brook Tuthill, Santa Fe, NM
Alton Walpole, Santa Fe, NM
Celia Rumsey, Santa Fe, NM
Nathaniel Tarn / Janet Rodney, Santa Fe, NM
Lisa and John Mulcahy, Richmond, Virginia
Kieve Trust, Santa Fe, NM
Mary O. Medina Soc.Services Bldg, Taos, NM
Libo & Associates, Albuquerque, NM
Hand Graphics Gallery, Santa Fe
Galerie Thomas Mark, Spital am Pyhrn, Austria
Schmidt Automobile, Salzburg, Austria
Chanello, Ltd., Taipei, Taiwan
Mountain States Insulators, Santa Fe, NM
Brian McPartlon, Santa Fe, NM
Rodney and Linnea Carswell, Santa Fe,NM
George Burrows, Culver City, California
Stacy Brown / Tom Sharpe, Santa Fe
Ann and David Sperling, Santa Fe, NM
Northwest College, St Paul, Minnesota
Paul Golding / Bonnie Ellinger, Santa Fe
Anne-Drue Anderson, Ojai, California
Group Exhibitions & Important Events
2015 City of Mud Inaugural Exhibition, Santa Fe, NM
2012 'Hill’s Gallery ReMix', Santa Fe, New Mexico
2007 ‘Forty Years of the Roswell Artist-in-Residence Program’
Anderson Museum of Art, Roswell, NM
2006 Northwest College, ‘Four from Santa Fe’, St. Paul, Minnesota
2003 “First Editions & the Comic Book’, Museo Cultural, Santa Fe
2002 “Five Allies”, State Capitol Rotunda & Governor’s Gallery,
Santa Fe, New Mexico, USA
"Art of Albuquerque", Juried Exhibition, Museum of Albuquerque
1998 'Contemporary '98', Fuller Lodge, Los Alamos, NM
1997 Edith Lambert Gallery, Santa Fe, New Mexico, USA
1995 Harwood Foundation Museum, Taos, NM
1993 CAS Invitational, Cafe Gallery, Albuquerque, NM, USA
1992 “Common Ground”, “Quincentennial Perspective: Artists
Discover Columbus”, Castillo Center, New York City
1988 Ryan Carey & Frank Ettenberg, Janus Gallery, Santa Fe
“The Recovery Show” Armory for the Arts, Santa Fe
1986 American Academy of Arts & Letters, Purchase Exhibition, NYC
“Selections ‘86”, Leinster Fine Art, London, UK
1977 “Drawings USA ‘77”, Minnesota Mus.of Art, St. Paul, Minn.
The Santa Fe Armory Show, Steering Committee, 110 Artists participated (+FE)
1974-7 Advocates for Contemporary Art, Santa Fe, Founding Member
1965 65th Michigan Artists Annual, Detroit Institute of Art ( Purchase Award Painting )
Carlos Reid, M.B.A., M.S. & M.O.T.
Chief Curator
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Blaricum, Amsterdam, Netherlands
About Barbara Houwers
Barbara Houwers is a Dutch artist, specialising in painting. She lives and works in Blaricum (Amsterdam region). Her successful series inspired by themes around the human being have led to many exhibitions and commissions from companies, government and institutions. Barbara’s works can be found both in private and corporate collections and public buildings. Barbara Houwers was mainly known for her paintings of human figures, mostly painted in subdued earth tones. However, in 2013 she switched to more abstract pieces of art in geometrical patterns and sometimes also bright colours. This seems to be a great style break, however, as with many artists, also for Houwers a logical further development of her basic forms. Herewith the artist is not afraid of new techniques and materials. So she designed portable objects with the 3-D printing technique and she made the switch to more three-dimensional work. Houwers’s technique evolved from a traditional painting technique with the human figure as a theme to a more experimental treatment of her materials. The brush was partly replaced by the palette knife and besides paint, also other materials such as sand and resin were introduced. This experimental treatment of the material came back with the series of works Houwers made at the start of the millennium where the aspect of space predominated. In 2007 the geometric form appeared with the series “little suitcases”. The human shape was more reduced to a contour line. Houwers made the switch to the theme of repetition in 2013. By the repetition of shapes a feel of rest is created. The beauty of this type of art is formed by the techniques used by Houwers. The paint is applied in many layers by the palette knife. In this way an art is created that refers to itself and less to the tangible world. The love for the material has become the subject of her art, still the humaneness remains secured in her works by filling in the geometrical forms with a natural brush technique whereby the brush strokes still strongly remind of the human figure. This creates an abstract formal art of painting that directly appeals to and reflects the human emotion, a daring combination only tried by a few artists. Barbara Houwers does not only have the guts to convey the contrast between the rational geometric and the emotional, but above all she has got the talent to do so. By: Art Historian Diana Kostman 2015
Atlanta, Georgia, United States
About SPOON
After working in the Architecture and Urban Planning Profession for nearly a decade in Seattle, studying Urban Design in Paris, and managing projects all over the world, SPOON developed a strong
appreciation for graphic communication and elegant design. Combined with a long-standing passion for history and culture, it was a natural progression for her to begin developing unique pieces of
artwork in a new style, based on a simultaneously simple and complex intent:
“WHAT IS THE MINIMAL AMOUNT OF INFORMATION THE BRAIN NEEDS TO PERCEIVE A SUBJECT?”
This analysis, of only the essential elements, draws upon the ideas of minimalism that SPOON has studied and lived. In her work, she is constantly evaluating the resolution and complexity that a subject warrants and redacts it to its finest point. Then, with an almost mathematical precision, she applies the initial principals that she set when creating this style of painting – limited point sizes, restricted to a grid, historic and cultural influences. This blend of contemporary and historical, art and science, is what makes her artwork so adaptable and her client base so diverse.
As a LEED Green Accredited Design Professional, SPOON is always conscious of the materials and methods she uses in creating her artwork. From sourcing local small businesses to using non-toxic and environmentally safe mediums, SPOON makes sure that she is using the best materials on the market while maintaining a sense of responsibility.
Moving throughout a room changes the way SPOON’s paintings are experienced. Depending on the nuances of your angle, distance and aperture, her artwork will constantly be changing in clarity, giving it a uniquely dynamic character that is always best experienced in person.
Sofia, Bulgaria
Paris, France
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