Albuquerque, NM, United States
This painting is a relatively large, gestural piece. You can see that I've drawn into the wet paint with pastel. The finished piece is varnished with a matt finish. The edges of the canvas are painted white. I've signed, titled and wired the painting on the back.
This painting is a relatively large, gestural piece. You can see that I've drawn into the wet paint with pastel. The finished piece is varnished with a matt finish. The edges of the canvas are painted white. I've signed, titled and wired the painting on the back.
This is an oil painting on heavy stretched canvas. The edges of the canvas which wrap around the stretcher frame are painted white. The painting is varnished in a removable matt varnish. The back is
signed and wired for hanging.
This is an oil painting on canvas. The edges of the painting [1.5 inches deep] are painted white. The back is signed by the artist and is wired for hanging. The surface of the painting is varnished with a removable matt varnish.
This is an oil painting on stretched canvas. The surface is varnished with a matt finish. The back is signed and wired for hanging. Please note that the frame is .75" and may look best in a frame.
This is an oil painting on canvas. The surface is varnished with a matt finish. The back is signed and wired for hanging. Please note that the stretcher bar is .75" in width and may look best framed.
This is a 2 panel piece--which is to say that there are two separate and unattached canvases which are meant to hang side by side. The paintings are done in a gestural manner and I have not varnished the surfaces so as to keep the contrast between the dull-matt underpainting and the more glossy glazing. As you can see I have drawn into the wet glaze with pastel. These images are meant be seen together--a model from a fashion company and a Rembrandt portrait. The title comes from a poem by Wendell Berry called "ripening."
This painting was begun with acrylic paint and finished in oils. The surface is protected with a matt varnish. The back of the painting is signed and wired for hanging. The title comes from a poem by Wendell Berry called "ripening."
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