Get in touch

       THE CARLOS REID GALLERY 

NEW YORK  | ATLANTA  |  PARIS  | GREECE | INDIA  | CHINA  HOMEPAINTINGS | PHOTOGRAPHY | SCULPTURE | STORE

Free shipping globally

Use Promo Code: FREE

0
0
STATEMENT OF SOLIDARITY

30 YEARS A SLAVE - Thirty Years a Slave by Louis Hughes - complete unabridged audiobook - US SLAVERY

STATEMENT OF SOLIDARITY

At the gallery, we stand for justice and equality for all. 

We have a responsibility to use our position to impact change. We are outraged by the ongoing trauma and violence that continues to disproportionately affect Black lives. George Floyd, Breonna Taylor, Ahmaud Arbery, Tony McDade, Eric Garner, Michael Brown, Trayvon Martin, Rodney King, Amadou Diallo, and countless others are victims of racism and police brutality, and we mourn their loss. Institutional and systemic racism in America must end. It is imperative that we listen to each other, show compassion, and empathy. We stand in support with all of those on the front lines against injustice and demand accountability. Our collective voices need to put pressure on elected officials to change our laws, and use our votes and campaign contributions to create systemic change. We support a positive reform agenda, consisting of: a national ban on excessive force and chokeholds, independent investigations of police abuse, disciplinary records of police officers being investigated and publicly disclosed, education equity, and an anti-poverty agenda.

Our gallery is committed to exhibiting the art of our time, believing in the role of artists and how their art influences society by changing opinions, instilling values and translating experiences across space and time. Art affects the fundamental sense of self. Art is a vehicle for social change, and can give voice to the politically or socially disenfranchised.

We are here to listen to our community.

We recognize and acknowledge the problematic structures of the art world and its history of colonialism, racism and exclusion on an institutional level. We are voicing now our commitment to maintaining an open and transparent conversation about these histories and the steps that need to be taken moving forward to promote equality within the arts. We commit to challenging ourselves daily to take the necessary actions in support of these changes, with the guidance of those who have been excluded, repressed or otherwise silenced.

Over our ten years in operation we have built a special network of individuals, like you. We have researched organizations that are doing important work on the ground right now. Please find below links to resources to those organizations where you can donate and support where you can.
In solidarity,
Carlos Reid, M.B.A., M.S. & M.O.T.
THE CARLOS REID GALLERY

Black Lives Matter
Black Visions Collective
Brooklyn Bail Fund
Campaign Zero
Chicago Community Bond Fund
Colorado Freedom Fund
Covid-19 Mutual Aid Network - LA
East of the River Mutual Aid Fund
George Floyd Memorial Fund
LGBTQ Freedom Fund
Meals on Wheels
Mutual Aid NYC
National Bail Out
Philadelphia Bail Fund
Richmond Community Bail Fund
Robin Hood Relief Fund
The Liberty Fund
The Salvation Army
Unicef
Unicorn Riot

ILLUSTRATIONS OF SLAVERY IN AMERICA

U.S. BLACK FREEDOM PAPERS | FREEDOM FOR A SLAVE | State of Maryland
U.S. FREEDOM PAPERS | FREEDOM FOR A SLAVE | State of Maryland
Free Papers
1779
Very good condition | Framed
Price: $1,265,000

About the Indentures

The documents titled Indentures referred to that clause of the Gradual Abolition Act that called for those born of slave mothers after March 1, 1780, to serve 28 years as indentured servants. One such indenture that raises a number of questions is that of the 6-year-old slave girl Sally. Sally was a slave for life to Thomas Woods of Ohio County, Va., who manumitted her in 1825 to serve until age 28 as an indentured servant to Pittsburgh attorney John McKee (not to be confused with McKeesport founder John McKee).

Sally, “having no parents living in the State of Pennsylvania,” arrived in the Commonwealth to serve a term of 22 years as an indentured servant. We don’t know whether Sally served the full term of this contract. The peculiar thing is that a 6-year-old was contracting herself as an indenture, apprenticed “to learn the Art and mystery of a house Servant and Cook.” Two members of the Pittsburgh Bar approved this transaction, Pittsburgh aldermen Thomas Enochs and Magnus Murray, the man who would later serve two terms as the city’s mayor.

In 1793, the same John McKee who had founded McKeesport and freed Peter Cosco indentured a young woman named Kut, the daughter of an enslaved woman named Negro Suck. The indenture was for 12.5 years and states that Kut “shall faithfully serve his [McKee’s] lawful commands, cheerfully obey; she shall not contract matrimony &c &c, nor do anything detrimental to her said Master’s interests; she shall not commit fornication nor frequent taverns, cards, dice nor any unlawful games.”

It appears by the statements made in this document that some perception of the surrounding community made a Black girl prey to the vices of society. This record also suggests Blacks’ preservation of their African roots through their choice of names. Taking another look at the indenture of Kut and her mother Suck, we see a name with West African cultural connections: Suck appears to be derived from the Wolof female name Sukey. The Wolof were native to West Africa’s Guinea and Senegambia region. Sukey was a common name among Creole slaves in Louisiana, as was the common Creole name Kut, sometimes spelled Quite.

About the Freedom Papers and Certificates of Freedom

Freedom papers and certificates of freedom were documents declaring the free status of Blacks. These papers were important because “free people of color” lived with the constant fear of being kidnapped and sold into slavery. Freedom Papers proved the free status of a person and served as a legal affidavit. Manumissions and emancipations were legal documents that made official the act of setting a Black person free from slavery by a living or deceased slaveholder.

It was prudent for Blacks to file papers attesting to their free status with the county deeds office in order
to protect them from slave catchers and kidnappers. Antebellum America, including Western Pennsylvania, was hostile territory for a person of African descent. There are records of Blacks being held in local jails because they were suspected of being fugitive slaves. As was stated earlier, Black slaves were perceived as property that, just like other goods, could be bought and sold, stolen or lost.

Filing with the deeds office protected African Americans from the loss, theft, or destruction of original documents, as in all-too-frequent situations where slave catchers confiscated or destroyed freedom papers to force free men and women into lives of bondage. Some free men had to have an affidavit that testified to their free status.

If they lacked an affidavit, their friends would have to file such an affidavit after the free men in question had been confined. One such affidavit was sworn on behalf of James Cooper on Nov. 29, 1803. At that time, Cooper was confined in the “Common Jail of Allegheny on Suspicion of being a Slave from Canady” (Canada), placed there by John Wilkins, chief burgess of Pittsburgh. Three witnesses testified on Cooper’s behalf, and two of them “offered to bring forward four or five Others to prove that the said Cooper committed (upon God knows what ground) by Justice Wilkins is a free man.” It is not known whether the affidavit was reason enough to free James Cooper from the jail of Judge Wilkins. But this affidavit does seem to indicate that there were not only personal friends, but also a sympathetic network, perhaps an abolitionist group, willing to support the freedom of at least that Black man.

Amos Sisco of Washington County was a free Black man who, as the certificate of freedom says, was “about descending the Ohio river on a Steamboat in the Capacity of a Cook.” Sisco needed his certificate to protect his movements because in 1837, the year the certificate was signed and recorded, the Underground Railroad movement was active, and the waterways and rivers were used often as transport for fugitive slaves.

Jesse Turner of Southampton County, Va., was registered in that county’s court on Aug. 18, 1829, as a free man of color. A record of the filing was made in the Allegheny County deed books on Sept. 6, 1848. Turner probably moved to Allegheny County in 1848 and needed to file his certificate attesting to his free status. Given the harsh reprisals against African Americans that followed Nat Turner’s 1831 revolt in Southampton County, Jesse Turner would probably have had a difficult time obtaining his certificate there after the revolt. It is even possible that Jesse Turner had been enslaved by the same Southampton County slaveholders, Benjamin Turner and his son Samuel, who had enslaved Nat Turner and his mother.

In some cases, African Americans participated in the benign purchase and sale of family members. In this regard, the freedom papers of Julia Mason recorded by the County on Oct. 1, 1851, constitute an illuminating record. Mason was freed by her husband, Robert Mason, who purchased her from G. W. Baker of Winchester, Va., for the sum of $600. Julia was 35 years old at the time, and, as it was just a year after the passage of the Fugitive Slave Act, Robert Mason was careful to record the manumission of his wife with the deeds office. Since Robert Mason was a free African American, this document records a Black person participating in the slave economy, but for the honorable purpose of freeing his wife from bondage.

About the Indentures

The documents titled Indentures referred to that clause of the Gradual Abolition Act that called for those born of slave mothers after March 1, 1780, to serve 28 years as indentured servants. One such indenture that raises a number of questions is that of the 6-year-old slave girl Sally. Sally was a slave for life to Thomas Woods of Ohio County, Va., who manumitted her in 1825 to serve until age 28 as an indentured servant to Pittsburgh attorney John McKee (not to be confused with McKeesport founder John McKee).

Sally, “having no parents living in the State of Pennsylvania,” arrived in the Commonwealth to serve a term of 22 years as an indentured servant. We don’t know whether Sally served the full term of this contract. The peculiar thing is that a 6-year-old was contracting herself as an indenture, apprenticed “to learn the Art and mystery of a house Servant and Cook.” Two members of the Pittsburgh Bar approved this transaction, Pittsburgh aldermen Thomas Enochs and Magnus Murray, the man who would later serve two terms as the city’s mayor.

In 1793, the same John McKee who had founded McKeesport and freed Peter Cosco indentured a young woman named Kut, the daughter of an enslaved woman named Negro Suck. The indenture was for 12.5 years and states that Kut “shall faithfully serve his [McKee’s] lawful commands, cheerfully obey; she shall not contract matrimony &c &c, nor do anything detrimental to her said Master’s interests; she shall not commit fornication nor frequent taverns, cards, dice nor any unlawful games.”

It appears by the statements made in this document that some perception of the surrounding community made a Black girl prey to the vices of society. This record also suggests Blacks’ preservation of their African roots through their choice of names. Taking another look at the indenture of Kut and her mother Suck, we see a name with West African cultural connections: Suck appears to be derived from the Wolof female name Sukey. The Wolof were native to West Africa’s Guinea and Senegambia region. Sukey was a common name among Creole slaves in Louisiana, as was the common Creole name Kut, sometimes spelled Quite.

THE CARLOS REID GALLERY ONLINE

Share by: